10.17026/TEST-XQZ-PDBK
Stigter, S.
32304512X
University of Amsterdam
Interview Jan Dibbets on The Shortest Day at the Van Abbemuseum
Universiteit van Amsterdam
2020
Humanities
Arts and culture
History of arts and
architecture
Jan Dibbets
The Shortest Day at the Van Abbemuseum
All Shadows that occurred to me…
Numbers on wall
The Shadows in my Studio
The Longest Day in Kunstraum Einz
Colour Studies
art making process
maakproces
photographic printing
photo laboratory
colour photography
Conservation
Restoration
Presentation
Installation
installatiekunst
photo collage
slide projection
dia projectie
site-specificity
Letraset
dry transfer lettering
Intercolor
photolab
Van Abbemuseum
Jan Diepraam
Cees Krom
René van den Bichelaer
Adriaan van Ravenstijn
Robert Ryman
Jean Leering
Evert van Straaten
Yvon Lambert
Françoise Lambert
Guiseppe Panza
Rolf Preisig
Collection Herbert
John Powell
Konrad Fischer
Fridericianum
Kröller-Müller Museum
NICAS Oral History Initiative
Conservation and Restoration
Materials and Technique
Museum and collections
Oral History
Kunst
Temporal coverage: 1970-2011
Universiteit van Amsterdam
2011-11-11
20200225-01-01T00:00:00.000+01:00
en
Dataset
urn:nbn:nl:ui:13-ql-r30t
easy-dataset:17963
11245/1.417631
video/mpeg
video/jpeg
application/pdf
info:eu-repo/semantics/restrictedAccess
DANS License
Interview with conceptual artist Jan Dibbets about his site-specific installation The Shortest Day at the Van Abbemuseum (1970) in the Van Abbemuseum and about related work. The art making process, installation process and history of the work are discussed in light of the idea of the artwork, the time when it was made, and the changes it underwent in order to gain more insight into the modes of presentation to inform future decision-making about possible conservation strategies and presentation options.
Eindhoven
Otterlo
Amsterdam
Netherlands
Milan
Italy
Paris
France
Kassel
Düsseldorf
Germany